In high school, I produced films and was determined to continue a career in the film industry. Along that journey, I noticed that my favorite project was creating a pitch packet that secured my film non-commercial music rights.
This realization steered me directly toward the marketing and music industries. I wanted to chase that exciting feeling of creating the packet. Years later, I finally learned that feeling has a name: Music Supervision & Licensing. I have been reaching out to projects and curating vignette playlists to create my own experience.
Past and Present Projects
Where’s Rose
- Submitted a few playlists for unfilled music cues
- Post-Production // Expected 2021
Chickasaw
- Composed an original song that will be performed by actors in the final scene
- Submitted playlists for all music cues
- Pre-Production // Expected 2022
Art Majors
- Aims to create original compositions and collaborate with LGBTQ+ artists to reinforce the series’ identity
- Production // Expected 2021
The Diabeatdown
- Aims to curate playlists for cues and play a collaborative role as music supervisor for the limited series
- Pre-Production // Expected TBD
Vignette Playlists
I curate music in 7-track vignette playlists that embody an aesthetic or feeling. Every playlist starts with an “Artist-To-Watch.”
